{"id":1004,"date":"2019-01-11T14:19:18","date_gmt":"2019-01-11T14:19:18","guid":{"rendered":"https:\/\/www.lesamesnocturnes.com\/?page_id=1004"},"modified":"2019-01-11T16:36:41","modified_gmt":"2019-01-11T16:36:41","slug":"barbe-bleue","status":"publish","type":"page","link":"https:\/\/www.lesamesnocturnes.com\/?page_id=1004","title":{"rendered":"Barbe Bleue"},"content":{"rendered":"<p>Op\u00e9ra comique d&rsquo;<strong>Andr\u00e9 Ernest Gr\u00e9try<\/strong>\u00a0sur un livret de<strong>\u00a0Michel-Jean Sedaine\u00a0<\/strong>| coproduction<strong>\u00a0<strong>Orkester Nord &#8211; Trondheim Barokk <\/strong><\/strong>&amp;<strong><strong> Centre de Musique Baroque de Versailles<\/strong><\/strong>\u00a0| production d\u00e9l\u00e9gu\u00e9e<strong><strong> Shlemil Th\u00e9\u00e2tre<\/strong><\/strong><\/p>\n<p>Mise en sc\u00e8ne, sc\u00e9nographie, costumes, lumi\u00e8res <strong>C\u00e9cile Roussat<\/strong> &amp; <strong>Julien Lubek<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"ngg-singlepic ngg-none\" src=\"https:\/\/www.lesamesnocturnes.com\/wp-content\/gallery\/barbe-bleue\/46508054_10156803362594294_8474009112533794816_o.jpg\"  alt=\"\" width=\"567\" height=\"370\" \/><\/a> <\/p>\n<p>&nbsp; <\/p>\n<p>direction musicale<strong>\u00a0Martin Wahlberg<\/strong>\u00a0| conseiller artistique <strong>Beno\u00eet Dratwicki<\/strong> |<strong>\u00a0<\/strong>r\u00e9alisation costumes <strong>Max Rapetti-Maus, Romane Dupont, Romain Marciniak<\/strong>\u00a0<em>assist\u00e9s de Alexandra Boso Zarazik et Alexandre Lomov<\/em> | r\u00e9alisation d\u00e9cor <strong>Atelier F\u00f6rma<\/strong> |\u00a0maquillages\u00a0<strong>Pascale Kouba<\/strong><\/p>\n<p>chanteurs solistes <strong>Chantal Santon, Fran\u00e7ois Rougier, Matthieu L\u00e9croart, Manuel Nu\u00f1ez Camelino, Eug\u00e9nie Lefebvre, Marine Lafdal-Franc, Enguerrand de Hys, J\u00e9r\u00f4me Boutiller<\/strong>\u00a0| com\u00e9dien <strong>Alex Sander Dos Santos<\/strong>\u00a0| contorsionniste <strong>Ad\u00e8le Alaguette<\/strong>\u00a0| enfant <strong>D\u00e9sir\u00e9 Lubek<\/strong><\/p>\n<p><strong>Cr\u00e9ation au Tr\u00f8ndelag Theater, Trondheim, Norv\u00e8ge,<\/strong> le 14 novembre 2018<\/p>\nngg_shortcode_0_placeholder\n<p>&nbsp;<\/p>\n<p>P<em>our la mise en sc\u00e8ne, le CMBV a fait le choix de la franche com\u00e9die et du spectaculaire.\u00a0<strong>C\u00e9cile Roussat<\/strong>\u00a0et\u00a0<strong>Julien Lubek\u00a0<\/strong>se sont notamment distingu\u00e9s par une\u00a0vision assez originale de\u00a0<em>Didon et En\u00e9e<\/em>. On retrouve ici leur go\u00fbt pour le cirque, la magie et la fantasmagorie, avec un r\u00e9sultat o\u00f9 l\u2019humour est constamment pr\u00e9sent. Les deux fr\u00e8res d\u2019Isaure sont des fantoches grotesques, le travestissement de Vergi en Anne est trait\u00e9 sur un mode franchement cocasse, tandis qu\u2019Osman, serviteur de Barbe-Bleue, devient une sorte de tapis anim\u00e9, source d\u2019effets comiques assez irr\u00e9sistibles. Son ma\u00eetre, en revanche, est un Nosferatu inqui\u00e9tant, sans un seul poil au menton, mais escort\u00e9 de cr\u00e9atures mi-sinistres, mi-ridicules, sortes de vautours humains. Le divertissement offert \u00e0 Isaure \u00e0 la fin du deuxi\u00e8me acte, avec ses personnages \u00e0 t\u00eate d\u2019animaux tout droit sortis des gravures de Granville, est un pur ravissement. Et le drame reprend ses droits au dernier acte, m\u00eame si la fin heureuse de rigueur ne fait aucun doute. (&#8230;) Esp\u00e9rons que quelques th\u00e9\u00e2tres fran\u00e7ais auront la bonne id\u00e9e d\u2019accueillir cette production, dont une reprise s\u2019impose.<\/em><br \/>\n<strong>Forum Opera, <\/strong>novembre 2018<\/p>\n<p><em>The production by Julien Lubek and C\u00e9cile Roussat emphasised the comical aspects, setting the story in fairytale Middle Ages. Two minor characters, the peasants Jeanne and Jacques, were performed by two puppets animated by actors, and engaged in several comical exchanges in Norwegian; hilarity ensued among the audience. Circus elements and situations were often employed: contortionists, aerial ribbon artists, wild animals, and even a full levitation trick performed on stage, during one of the most beautiful ensembles, with Raoul as the magician, and Isaure (his wife) on the table. The discovery of Bluebeard&rsquo;s dead wives turned into a ghoulish splatter scene with a comical twist: the three ghosts came forward, one holding her own head, another sawn in two, and the third looking like a zombie. In a succesful twist of the plot, Bluebeard at the end is killed by one of the dead wives&rsquo; ghosts, who sucks his soul out of him with a last kiss. The costumes (also by Roussat) were imaginative, and the lighting (by Lubek) brilliantly enhanced the scene.<\/em><br \/>\n<strong>Backtrack.com, <\/strong>18 novembre 2018<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Op\u00e9ra comique d&rsquo;Andr\u00e9 Ernest Gr\u00e9try\u00a0sur un livret de\u00a0Michel-Jean Sedaine\u00a0| coproduction\u00a0Orkester Nord &#8211; Trondheim Barokk &amp; Centre de Musique Baroque de Versailles\u00a0| production d\u00e9l\u00e9gu\u00e9e Shlemil Th\u00e9\u00e2tre Mise en sc\u00e8ne, sc\u00e9nographie, costumes, lumi\u00e8res C\u00e9cile Roussat &amp; Julien Lubek &nbsp; direction musicale\u00a0Martin Wahlberg\u00a0| conseiller artistique Beno\u00eet Dratwicki |\u00a0r\u00e9alisation costumes Max Rapetti-Maus, Romane Dupont, Romain Marciniak\u00a0assist\u00e9s de Alexandra Boso [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-1004","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.lesamesnocturnes.com\/index.php?rest_route=\/wp\/v2\/pages\/1004","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lesamesnocturnes.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lesamesnocturnes.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lesamesnocturnes.com\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lesamesnocturnes.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1004"}],"version-history":[{"count":15,"href":"https:\/\/www.lesamesnocturnes.com\/index.php?rest_route=\/wp\/v2\/pages\/1004\/revisions"}],"predecessor-version":[{"id":1029,"href":"https:\/\/www.lesamesnocturnes.com\/index.php?rest_route=\/wp\/v2\/pages\/1004\/revisions\/1029"}],"wp:attachment":[{"href":"https:\/\/www.lesamesnocturnes.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1004"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}